Chapter 1 – Getting There
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Private Collection
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Private Collection
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 32″
Private Collection
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 72″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 48″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 56″
Encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather on a floating shelf
10″ x 88″
17 mixed media bookworks —encaustic, oil stick, dry pigment, photographs and paper on hinged mahogany-ply panels backed with burlap and leather—on floating shelves
What can be rekindled by a smell, a taste or by the simple act of making?
Dancing in a Northern Kitchen was inspired by many seasons spent cooking for tree-planters in remote areas of Ontario, Alberta and British Columbia. Using the accordion bookwork form, I set out to examine the connections between cooking, art and dance. I also wanted to honour the layers of experience that are folded into the pages of a cookbook to suggest that time, place and people are as integral to recipes and good cooking as ingredients. In each piece, recipes and menu plans, dance steps, images and photographs are organized in chapters and layered in encaustic wax to bring to mind stories, reminiscences and rhythms of the everyday.
Exhibition History:
Niagara Artists Company/Centre, St Catharines, ON, 2003
Rails End Gallery and Arts Centre, Haliburton, ON, 2008
Visual Arts Centre of Clarington, Bowmanville, ON, 2009
Photo Credits: Wayne Eardley